As a writer and correspondent for the TRUE Branding Agency, I interviewed emerging talent, scouting up-and coming transcultural trends from Brooklyn to Brasil to Tokyo, for print and blog.
As Sr. Content lead for Converse, I drafted stories and led social media strategy for spring 2017, and the fall 2017 Back-to-School campaign, "First Day Feels."
Created a cleaner, smarter strategy for this 'meticulously curated' music services emails. Read their first one in the new format here.
When Frank Ocean's visual album Endless unexpectedly dropped in the twilight hours of August 19th, 2016, Salon reached out to me for an up-to-the minute contextual analysis of the Ocean's reemergence after a five-year hiatus (Spoiler alert: I weave digital culture into Foucault's Panopticon.).
Scripted, Adapted, and Directed Ti Ador(n)o for POETRY PRESS WEEK, the literary version of Fashion Week. The full manuscript of Ti Ador(n)o was recently announced as a finalist for the international Cave Canem Book Prize.
Wrote the script for contemporary dance company Moving Collective's touring performance iD, section "i am a pretty girl." (USA TODAY coverage)
As the Sr. Content lead on Nike email accounts, I oversee copy and narrative direction for emails deployed in thirteen Nike Categories (including Running, Training, Jordan and NSW), as the direct manager of a team of four copywriters.
Helped implement and install the Matthew Barney / Joesph Beuys exhibit All in the Present Must Be Transformed as assistant to the Chief Conservator of the Peggy Guggenheim Collection Paul Schwartzbaum (while tangentially ghost writing his memoirs).
I will be serving as both correspondent and performer at PICA's Time-Based Art Festival, charting participants movement through time by documenting festival fashion as a means of performance.
Assisted in the design and construction phases of over a dozen east coast court and justice facilities as a member mid-sized NY architecture firm, in addition to writing the project descriptions for web and marketing.